I’ve carried an analogue camera with me everywhere since 2014; it slows me down and teaches me to observe. While many of us can be drawn to dramatic landscapes or nature, I have slowly been captivated by the “extraordinary in the ordinary” — the subtle, often overlooked moments in everyday life. Across countries and cultures, there are recurring patterns in how people move through their days and how the design of a city or village quietly shapes those rhythms. Working with analogue film heightens this attention: with limited frames, waiting for moments that truly strike me.

Here are two sets of examples to display these moments I've found myself chasing for the last 10 years:

This first set has to do with the extraordinary in the ordinary with a focus on human beings, the body, systems of gathering, the ways our presence influences, and reframes the landscape.

This second focuses on capturing the extraordinary in the ordinary through traces, remnants, and records of design (what is left behind), like a renaissance painting of a dinner table after the meal is done - you can see an action that has happened, or a moment, without needing to see the action itself.